simon dybbroe møller archive

No More Moore (exhibition view Kunstverein Hannover 2009)
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
GROWTH LOT NO. 3017331, Simon Dybbroe Møller and Nina Beier, 2013
plants from the headquarters of a bankrupt Bank, metal cylinder planters, grow lights,
Self Serving, 2018
glass fibre, expansion foam
Untitled (How Does It Feel), 2014
video, sound, monitors
Young Cultural Producer, 2017
c-print
Shame Shield, 2015
ceramics, glaze
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
A Rock That Keeps Tigers Away (exhibition view Kunstverein München, 2017)
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Gaslighting, 2019
plastic, C-print, sticker
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
0, 2011
inkjet print
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
Young Cultural Producer, 2017
c-print
Gaslighting, 2019
plastic, C-print, sticker
ANIMATE V, 2012
video, sound (still)
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Shame Shields, 2015
ceramics, glaze
Field Work, 2008
bw photo print, passepartout, metal frame
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Young Cultural Producer Smoking a Cigarette, 2018
c-print
The Middle Ages (exhibition view CAC, Vilnius 2018)
Young Cultural Producer, 2017
c-print
Untitled (How does it feel), 2014
video, sound (still)
Produce, 2011
printer, inkjet print
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
Boulevard of Crime III, 2022 (detail)
lamp, shoes, tiles, shoe polish
The Middle Ages, exhibition poster, 2018
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
Ear, 2014
c-print
20th Century Architecture, 2006
16 mm film, sound
Woman Driving, 2013
c-print, aluminum frame
The Middle Ages (exhibition view CAC 2018)
What Do People Do All Day, 2020
video, sound (still)
Architecture, 2019
Gelatin silver print, passepartout, frame
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
Buongiorno Signor Courbet (exhibition view Francesca Minini 2015)
The Drift, 2010
video, sound
The Middle Ages (exhibition view CAC 2018)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Boulevard of Crime II, 2022 (detail)
lamp, shoes, tiles, shoe polish
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
The Plain, 2010
video, sound
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Boulevard of Crime II, 2022
lamp, shoes, tiles, shoe polish
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
The Loudspeaker, 2012
video, sound
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Boulevard of Crime I, 2022 (detail)
lamp, shoes, tiles, shoe polish
Base, 2018
foam, motor, motor oil, flies (detail)
O and No, 2011
sports floor
Performance, 2006
bw slides, crushed glass, slide projector
Harvest, 2019
hay
Bouquet, 2016
stroller, mixed materials
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
Architecture, 2022
gelatin silver print, passepartout, frame
Hell Square, 2022
3D print, varnish
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Untitled, 2015
pipe and flute
Field Work, 2008
bw photo print
The Navigator Monument, 2018
bronze
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
Beer & Piss, 2012
c-prints
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
HARVEST, 2019
hay, drumkit
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Performance, 2006
bw slides, crushed glass, slide projector
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
The Middle Ages, exhibition view CAC Vilnius, 2018
Cormorous, 2016
video, sound (still)
Lettuce (exhibition view 21erHaus, 2015)
the dockworker, Constantin Emile Meunier, 1885
Produce, 2011
printer, inkjet print
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
The Middle Ages (exhibition view CAC, Vilnius 2018)
ANIMATE V, 2012
video, sound (still)
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
Shame Shields, 2015
ceramics, glaze
Geology, 2022
archival ink jet print, frame
0, 2011
inkjet print
Bouquet, 2016
stroller, mixed materials
Baby I, 2022
archival ink jet print, frame
Dirt, 2019
video
Pipe & Flute, 2015
pipe, flute
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
What Do People Do All Day, 2020
video, sound (still)
Shame Shield, 2015
ceramics, glaze
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Architecture, 2022
gelatin silver print, passepartout, frame
Gaslighting, 2019
plastic, C-print, sticker
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Middle Ages (exhibition view CAC 2018)
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Hell Square, 2022
3D print, varnish
Produce, 2011
printer, inkjet print
Untitled, 2020
sketch for public sculpture
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Shame Shields, 2015
ceramics, glaze
Young Cultural Producers, 2017
c-prints
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Shame Shield, 2015
ceramics, glaze
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Gaslighting, 2019
plastic, C-print, sticker
The Embrace, 2015
c-print
Cormorous, 2016
video, sound (still)
Shame Shield, 2015
ceramics, glaze
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
The Middle Ages, exhibition poster, 2018
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
Untitled (How does it feel), 2014
video, sound (still)
ANIMATE V, 2012
video, sound (still),
Boulevard of Crime II, 2022
lamp, shoes, tiles, shoe polish
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Marianne, 2013
c-prints, frame, wire
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
All Houses Are Haunted, performer, clothes, 2006
Self Serving, 2018
fibreglass, expanding foam
Shank, 2013
beef and ale stew photographed by Andrea Rossetti, C-Print, aluminum frame
Marianne, 2013
c-prints, frame, wire
Untitled, 2021
flutes & pipes
Harvest, 2019
hay
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
The Guitarist, 2018
c-print
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
Sisters, 2022
archival ink jet print, frame
Young Cultural Producer, 2017
c-print
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (detail)
Performance, 2006
bw slides, crushed glass, slide projector
O and No, 2011
sports floor
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
FACADE, 2008
speakers, amp, (Installation View Museum Abteiberg)
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
ANIMATE V, 2012
car, video, sound (still)
Woman Driving, 2013
c-print, aluminum frame
Rump, 2013
Simon Dybbroe Møller Rump, 2013 beouf stroganoff photographed by Enrique Macias, C-Print
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
O and No, 2011
sports floor
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Aperture & Orifice, 2014
washed concrete, plastic bags
Young Cultural Producer, 2017
c-print
Fieldwork, 2006
silkscreen print
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Base, 2018
foam, motor, motor oil, flies (detail)
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
ANIMATE V, 2012
video, sound (still)
Lettuce (exhibition view 21erHaus, 2015)
All Houses Are Haunted, 2006
architect double, costume (exhibition view NAK, Aachen)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Field Work, 2008
silkscreen print on paper, maple frame
Field Work, 2008
silkscreen print on wood
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Cormorous, 2016
video, sound (still)
ANIMATE V, 2012
video, sound (still)
Fieldwork, 2006
(install view Kunstverein Hannover)
Beer & Piss, 2012
c-print
Shame Shields, 2015
ceramics, glaze
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound, forklift
Waiting for Different Times, 2008
wood, enamel
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
Self Serving, 2018
fibreglass, expanding foam
Harvest, 2019
hay (detail)
Shame Shields, 2015
ceramics, glaze
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Boulevard of Crime I, 2022 (detail)
lamp, shoes, tiles, shoe polish
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
ANIMATE V, 2012
car, video, sound (still)
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
The Anachronism Trilogy, 2012-18 (poster)
Black, White an Gray (Cyan, Magenta and Yellow), 2006
inkjet on a4 papers, wallpaper glue
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
Geology, 2022
archival ink jet print, frame
Young Cultural Producer, 2017
c-print
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Abstract For A House That is Not, 2010
felt carpet
Field Work, 2008
digital c-print, metal frame
Abstract For A House That is Not, 2010
felt carpet
Shame Shields, 2015
ceramics, glaze (detail)
Untitled (How Does It Feel), 2014
video, sound, monitors
Base, 2018
foam, motor, motor oil, flies (detail)
Things and The Thoughts That Think Them, 2011
plexiglas, mixed materials
Boulevard of Crime I, 2022
lamp, shoes, tiles, shoe polish
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
The Plumber & The Cook, 2015
neon, metal
The Loudspeaker, 2012
video, sound
The Navigator Monument
bronze
The Loudspeaker, 2018
loudspeaker, sound, groceries
Untitled (How Does It Feel), 2014
video, sound, monitors
Shame Shield, 2015
ceramics, glaze
Economy, 2008
book
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
ANIMATE V, 2012
video, sound (still)
The Roman Two, exhibition view Gallery Hyundai, Seoul, 2012
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
BABY II,2022
archival ink jet print, frame
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
ANIMATE V, 2012
video, sound (still)
Shame Shields, 2015
ceramics, glaze
Beer & Piss, 2012
c-print
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif Antwerp)
Abstract For A House That is Not, 2010
felt carpet
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Field Work, 2008
lithograph
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Architecture, 2022
gelatin silver print, passepartout, frame
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Geology, 2022
archival ink jet print, frame
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Young Cultural Producer, 2017
c-print
Gaslighting, 2019
plastic, C-print, sticker
Beer & Piss, 2012
c-print
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Things and The Thoughts That Think Them, 2011
Plexiglas, mixed materials
Fieldwork, 2006
duotone offset print
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
Negative Plates, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
Shame Shield, 2015
ceramics, glaze
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics
Geology, 2022
archival ink jet print, frame
Base, 2018
foam, motor, motor oil, flies
The Embrace, 2015
c-print
What Do People Do All Day, 2020
video, sound (still)
Abstract For A House That is Not, 2010
felt carpet
Cormorous, 2016
video, sound (still)
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Shame Shield, 2015
ceramics, glaze
0, 2011
inkjet print
&, exhibition poster, 2017
No More Moore (exhibition view Kunstverein Hannover 2009)
What Do People Do All Day, 2020
video, sound (still)
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Plumber & The Cook, 2015
neon, metal
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
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