simon dybbroe møller archive

Lettuce (exhibition view 21erHaus, 2015)
the dockworker, Constantin Emile Meunier, 1885
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
The Middle Ages (exhibition view CAC, Vilnius 2018)
Marianne, 2013
c-prints, frame, wire
Produce, 2011
printer, inkjet print
Cormorous, 2016
video, sound (still)
Shame Shield, 2015
ceramics, glaze
Dirt, 2019
video
The Roman Two, exhibition view Gallery Hyundai, Seoul, 2012
Waiting for Different Times, 2008
wood, enamel
Fieldwork, 2006
(install view Kunstverein Hannover)
Boulevard of Crime II, 2022 (detail)
lamp, shoes, tiles, shoe polish
Untitled (How Does It Feel), 2014
video, sound, monitors
Field Work, 2008
digital c-print, metal frame
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
No More Moore (exhibition view Kunstverein Hannover 2009)
Shame Shields, 2015
ceramics, glaze (detail)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
Shame Shield, 2015
ceramics, glaze
The Middle Ages, exhibition poster, 2018
Geology, 2022
archival ink jet print, frame
Untitled (How Does It Feel), 2014
video, sound, monitors
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Produce, 2011
printer, inkjet print
Untitled (How Does It Feel), 2014
video, sound, monitors
Shame Shields, 2015
ceramics, glaze
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
Negative Plates, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
Hell Square, 2022
3D print, varnish
Lettuce (exhibition view 21erHaus, 2015)
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
No More Moore (exhibition view Kunstverein Hannover 2009)
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound, forklift
The Middle Ages (exhibition view CAC 2018)
Field Work, 2008
bw photo print, passepartout, metal frame
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Shame Shield, 2015
ceramics, glaze
Boulevard of Crime II, 2022
lamp, shoes, tiles, shoe polish
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
Field Work, 2008
lithograph
Gaslighting, 2019
plastic, C-print, sticker
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Young Cultural Producers, 2017
c-prints
Marianne, 2013
c-prints, frame, wire
Pipe & Flute, 2015
pipe, flute
Gaslighting, 2019
plastic, C-print, sticker
Fieldwork, 2006
duotone offset print
O and No, 2011
sports floor
ANIMATE V, 2012
video, sound (still)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (detail)
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
Young Cultural Producer, 2017
c-print
Young Cultural Producer, 2017
c-print
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
Young Cultural Producer, 2017
c-print
What Do People Do All Day, 2020
video, sound (still)
The Plain, 2010
video, sound
The Navigator Monument
bronze
Shame Shield, 2015
ceramics, glaze
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Untitled, 2021
flutes & pipes
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Boulevard of Crime III, 2022 (detail)
lamp, shoes, tiles, shoe polish
O and No, 2011
sports floor
Ear, 2014
c-print
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
Performance, 2006
bw slides, crushed glass, slide projector
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Architecture, 2022
gelatin silver print, passepartout, frame
Young Cultural Producer, 2017
c-print
What Do People Do All Day, 2020
video, sound (still)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Plumber & The Cook, 2015
neon, metal
Shame Shields, 2015
ceramics, glaze
Bouquet, 2016
stroller, mixed materials
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
BABY II,2022
archival ink jet print, frame
Bouquet, 2016
stroller, mixed materials
HARVEST, 2019
hay, drumkit
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
Black, White an Gray (Cyan, Magenta and Yellow), 2006
inkjet on a4 papers, wallpaper glue
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Embrace, 2015
c-print
Geology, 2022
archival ink jet print, frame
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
Base, 2018
foam, motor, motor oil, flies
The Anachronism Trilogy, 2012-18 (poster)
Self Serving, 2018
fibreglass, expanding foam
Economy, 2008
book
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
The Middle Ages, exhibition poster, 2018
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
Boulevard of Crime II, 2022
lamp, shoes, tiles, shoe polish
Cormorous, 2016
video, sound (still)
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Boulevard of Crime I, 2022 (detail)
lamp, shoes, tiles, shoe polish
Things and The Thoughts That Think Them, 2011
plexiglas, mixed materials
Geology, 2022
archival ink jet print, frame
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Abstract For A House That is Not, 2010
felt carpet
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Sisters, 2022
archival ink jet print, frame
Base, 2018
foam, motor, motor oil, flies (detail)
Untitled (How does it feel), 2014
video, sound (still)
Beer & Piss, 2012
c-print
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Beer & Piss, 2012
c-prints
Gaslighting, 2019
plastic, C-print, sticker
Woman Driving, 2013
c-print, aluminum frame
Shame Shields, 2015
ceramics, glaze
Gaslighting, 2019
plastic, C-print, sticker
Self Serving, 2018
glass fibre, expansion foam
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Shame Shield, 2015
ceramics, glaze
Architecture, 2019
Gelatin silver print, passepartout, frame
Performance, 2006
bw slides, crushed glass, slide projector
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
The Middle Ages (exhibition view CAC, Vilnius 2018)
Woman Driving, 2013
c-print, aluminum frame
What Do People Do All Day, 2020
video, sound (still)
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Harvest, 2019
hay (detail)
ANIMATE V, 2012
video, sound (still)
The Embrace, 2015
c-print
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Young Cultural Producer, 2017
c-print
Shame Shields, 2015
ceramics, glaze
Untitled, 2015
pipe and flute
Young Cultural Producer Smoking a Cigarette, 2018
c-print
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
The Navigator Monument, 2018
bronze
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
ANIMATE V, 2012
video, sound (still),
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Abstract For A House That is Not, 2010
felt carpet
Harvest, 2019
hay
20th Century Architecture, 2006
16 mm film, sound
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
The Guitarist, 2018
c-print
Things and The Thoughts That Think Them, 2011
Plexiglas, mixed materials
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Young Cultural Producer, 2017
c-print
Buongiorno Signor Courbet (exhibition view Francesca Minini 2015)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Field Work, 2008
silkscreen print on paper, maple frame
Field Work, 2008
bw photo print
Shame Shields, 2015
ceramics, glaze
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
Architecture, 2022
gelatin silver print, passepartout, frame
Field Work, 2008
silkscreen print on wood
The Loudspeaker, 2018
loudspeaker, sound, groceries
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
Cormorous, 2016
video, sound (still)
A Rock That Keeps Tigers Away (exhibition view Kunstverein München, 2017)
The Middle Ages (exhibition view CAC 2018)
ANIMATE V, 2012
car, video, sound (still)
FACADE, 2008
speakers, amp, (Installation View Museum Abteiberg)
O and No, 2011
sports floor
Fieldwork, 2006
silkscreen print
Produce, 2011
printer, inkjet print
Shank, 2013
beef and ale stew photographed by Andrea Rossetti, C-Print, aluminum frame
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Boulevard of Crime I, 2022 (detail)
lamp, shoes, tiles, shoe polish
Aperture & Orifice, 2014
washed concrete, plastic bags
Base, 2018
foam, motor, motor oil, flies (detail)
Self Serving, 2018
fibreglass, expanding foam
All Houses Are Haunted, 2006
architect double, costume (exhibition view NAK, Aachen)
Geology, 2022
archival ink jet print, frame
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
ANIMATE V, 2012
video, sound (still)
GROWTH LOT NO. 3017331, Simon Dybbroe Møller and Nina Beier, 2013
plants from the headquarters of a bankrupt Bank, metal cylinder planters, grow lights,
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Baby I, 2022
archival ink jet print, frame
0, 2011
inkjet print
Boulevard of Crime I, 2022
lamp, shoes, tiles, shoe polish
Shame Shield, 2015
ceramics, glaze
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Architecture, 2022
gelatin silver print, passepartout, frame
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Shame Shields, 2015
ceramics, glaze
What Do People Do All Day, 2020
video, sound (still)
ANIMATE V, 2012
video, sound (still)
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Young Cultural Producer, 2017
c-print
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
0, 2011
inkjet print
Abstract For A House That is Not, 2010
felt carpet
Untitled (How does it feel), 2014
video, sound (still)
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Abstract For A House That is Not, 2010
felt carpet
Performance, 2006
bw slides, crushed glass, slide projector
Cormorous, 2016
video, sound (still)
0, 2011
inkjet print
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
Beer & Piss, 2012
c-print
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
Gaslighting, 2019
plastic, C-print, sticker
Hell Square, 2022
3D print, varnish
The Loudspeaker, 2012
video, sound
Rump, 2013
Simon Dybbroe Møller Rump, 2013 beouf stroganoff photographed by Enrique Macias, C-Print
Shame Shield, 2015
ceramics, glaze
All Houses Are Haunted, performer, clothes, 2006
Base, 2018
foam, motor, motor oil, flies (detail)
ANIMATE V, 2012
car, video, sound (still)
ANIMATE V, 2012
video, sound (still)
Untitled, 2020
sketch for public sculpture
Beer & Piss, 2012
c-print
&, exhibition poster, 2017
The Plumber & The Cook, 2015
neon, metal
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
The Drift, 2010
video, sound
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Harvest, 2019
hay
ANIMATE V, 2012
video, sound (still)
The Middle Ages (exhibition view CAC 2018)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif Antwerp)
The Loudspeaker, 2012
video, sound
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Middle Ages, exhibition view CAC Vilnius, 2018