simon dybbroe møller archive

The Middle Ages (exhibition view CAC 2018)
All Houses Are Haunted, 2006
architect double, costume (exhibition view NAK, Aachen)
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Young Cultural Producer, 2017
c-print
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Abstract For A House That is Not, 2010
felt carpet
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Loudspeaker, 2012
video, sound
Untitled (How Does It Feel), 2014
video, sound, monitors
Hell Square, 2022
3D print, varnish
Untitled, 2015
pipe and flute
What Do People Do All Day, 2020
video, sound (still)
Architecture, 2022
gelatin silver print, passepartout, frame
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
Field Work, 2008
silkscreen print on paper, maple frame
Untitled (How does it feel), 2014
video, sound (still)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
0, 2011
inkjet print
Lettuce (exhibition view 21erHaus, 2015)
the dockworker, Constantin Emile Meunier, 1885
What Do People Do All Day, 2020
video, sound (still)
Lettuce (exhibition view 21erHaus, 2015)
Pipe & Flute, 2015
pipe, flute
Fieldwork, 2006
duotone offset print
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Untitled (How does it feel), 2014
video, sound (still)
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
A Rock That Keeps Tigers Away (exhibition view Kunstverein München, 2017)
Fieldwork, 2006
(install view Kunstverein Hannover)
Boulevard of Crime III, 2022 (detail)
lamp, shoes, tiles, shoe polish
The Middle Ages, exhibition view CAC Vilnius, 2018
Shame Shields, 2015
ceramics, glaze
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
Performance, 2006
bw slides, crushed glass, slide projector
The Embrace, 2015
c-print
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Produce, 2011
printer, inkjet print
ANIMATE V, 2012
video, sound (still)
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Young Cultural Producer, 2017
c-print
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Shame Shield, 2015
ceramics, glaze
Produce, 2011
printer, inkjet print
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
Cormorous, 2016
video, sound (still)
Negative Plates, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
Shame Shields, 2015
ceramics, glaze
Young Cultural Producer, 2017
c-print
What Do People Do All Day, 2020
video, sound (still)
Boulevard of Crime I, 2022
lamp, shoes, tiles, shoe polish
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
No More Moore (exhibition view Kunstverein Hannover 2009)
Field Work, 2008
bw photo print, passepartout, metal frame
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Economy, 2008
book
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
O and No, 2011
sports floor
Geology, 2022
archival ink jet print, frame
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
Young Cultural Producer, 2017
c-print
Architecture, 2022
gelatin silver print, passepartout, frame
Young Cultural Producer, 2017
c-print
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
Shame Shields, 2015
ceramics, glaze
Architecture, 2019
Gelatin silver print, passepartout, frame
Untitled, 2020
sketch for public sculpture
Architecture, 2022
gelatin silver print, passepartout, frame
The Middle Ages (exhibition view CAC, Vilnius 2018)
The Roman Two, exhibition view Gallery Hyundai, Seoul, 2012
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
Fieldwork, 2006
silkscreen print
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
The Navigator Monument, 2018
bronze
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Shame Shield, 2015
ceramics, glaze
Beer & Piss, 2012
c-print
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
The Plumber & The Cook, 2015
neon, metal
ANIMATE V, 2012
video, sound (still)
Geology, 2022
archival ink jet print, frame
Gaslighting, 2019
plastic, C-print, sticker
The Anachronism Trilogy, 2012-18 (poster)
Gaslighting, 2019
plastic, C-print, sticker
Marianne, 2013
c-prints, frame, wire
ANIMATE V, 2012
car, video, sound (still)
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
0, 2011
inkjet print
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
Base, 2018
foam, motor, motor oil, flies (detail)
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Middle Ages, exhibition poster, 2018
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
Base, 2018
foam, motor, motor oil, flies (detail)
Performance, 2006
bw slides, crushed glass, slide projector
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Baby I, 2022
archival ink jet print, frame
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
Cormorous, 2016
video, sound (still)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Shame Shield, 2015
ceramics, glaze
Buongiorno Signor Courbet (exhibition view Francesca Minini 2015)
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
Shame Shields, 2015
ceramics, glaze (detail)
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Base, 2018
foam, motor, motor oil, flies (detail)
Untitled (How Does It Feel), 2014
video, sound, monitors
Shame Shields, 2015
ceramics, glaze
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Bouquet, 2016
stroller, mixed materials
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Beer & Piss, 2012
c-print
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
O and No, 2011
sports floor
Marianne, 2013
c-prints, frame, wire
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Plumber & The Cook, 2015
neon, metal
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
Shame Shields, 2015
ceramics, glaze
Boulevard of Crime II, 2022
lamp, shoes, tiles, shoe polish
Untitled (How Does It Feel), 2014
video, sound, monitors
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
The Plain, 2010
video, sound
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif Antwerp)
Woman Driving, 2013
c-print, aluminum frame
ANIMATE V, 2012
video, sound (still)
Gaslighting, 2019
plastic, C-print, sticker
Bouquet, 2016
stroller, mixed materials
Self Serving, 2018
fibreglass, expanding foam
Shame Shields, 2015
ceramics, glaze
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
The Middle Ages (exhibition view CAC 2018)
Shame Shield, 2015
ceramics, glaze
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
0, 2011
inkjet print
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
No More Moore (exhibition view Kunstverein Hannover 2009)
Base, 2018
foam, motor, motor oil, flies
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound, forklift
Aperture & Orifice, 2014
washed concrete, plastic bags
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Hell Square, 2022
3D print, varnish
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
The Navigator Monument
bronze
Performance, 2006
bw slides, crushed glass, slide projector
O and No, 2011
sports floor
Beer & Piss, 2012
c-print
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Abstract For A House That is Not, 2010
felt carpet
What Do People Do All Day, 2020
video, sound (still)
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Young Cultural Producers, 2017
c-prints
ANIMATE V, 2012
video, sound (still)
Shank, 2013
beef and ale stew photographed by Andrea Rossetti, C-Print, aluminum frame
ANIMATE V, 2012
car, video, sound (still)
Untitled, 2021
flutes & pipes
The Middle Ages, exhibition poster, 2018
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
Rump, 2013
Simon Dybbroe Møller Rump, 2013 beouf stroganoff photographed by Enrique Macias, C-Print
Young Cultural Producer, 2017
c-print
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
Self Serving, 2018
glass fibre, expansion foam
20th Century Architecture, 2006
16 mm film, sound
ANIMATE V, 2012
video, sound (still)
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Young Cultural Producer, 2017
c-print
Abstract For A House That is Not, 2010
felt carpet
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Gaslighting, 2019
plastic, C-print, sticker
The Drift, 2010
video, sound
Things and The Thoughts That Think Them, 2011
plexiglas, mixed materials
Boulevard of Crime I, 2022 (detail)
lamp, shoes, tiles, shoe polish
Boulevard of Crime II, 2022 (detail)
lamp, shoes, tiles, shoe polish
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (detail)
Produce, 2011
printer, inkjet print
Dirt, 2019
video
ANIMATE V, 2012
video, sound (still),
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
Field Work, 2008
lithograph
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
ANIMATE V, 2012
video, sound (still)
Woman Driving, 2013
c-print, aluminum frame
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
Things and The Thoughts That Think Them, 2011
Plexiglas, mixed materials
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Abstract For A House That is Not, 2010
felt carpet
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
All Houses Are Haunted, performer, clothes, 2006
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Boulevard of Crime II, 2022
lamp, shoes, tiles, shoe polish
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
Boulevard of Crime (exhibition view, Francesca Minini, 2022)
The Loudspeaker, 2018
loudspeaker, sound, groceries
Geology, 2022
archival ink jet print, frame
GROWTH LOT NO. 3017331, Simon Dybbroe Møller and Nina Beier, 2013
plants from the headquarters of a bankrupt Bank, metal cylinder planters, grow lights,
&, exhibition poster, 2017
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Field Work, 2008
bw photo print
Cormorous, 2016
video, sound (still)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
Geology, 2022
archival ink jet print, frame
The Guitarist, 2018
c-print
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Beer & Piss, 2012
c-prints
BABY II,2022
archival ink jet print, frame
Harvest, 2019
hay
HARVEST, 2019
hay, drumkit
Shame Shield, 2015
ceramics, glaze
Field Work, 2008
digital c-print, metal frame
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Harvest, 2019
hay
Cormorous, 2016
video, sound (still)
Shame Shield, 2015
ceramics, glaze
Young Cultural Producer Smoking a Cigarette, 2018
c-print
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Middle Ages (exhibition view CAC 2018)
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Black, White an Gray (Cyan, Magenta and Yellow), 2006
inkjet on a4 papers, wallpaper glue
Ear, 2014
c-print
The Embrace, 2015
c-print
Shame Shield, 2015
ceramics, glaze
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
Waiting for Different Times, 2008
wood, enamel
Gaslighting, 2019
plastic, C-print, sticker
FACADE, 2008
speakers, amp, (Installation View Museum Abteiberg)
The Loudspeaker, 2012
video, sound
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Field Work, 2008
silkscreen print on wood
What Do People Do All Day, 2020-2022 (detail)
video, sound, 30 minutes, streaming software, lightbox with drawing by Susanne Dybbroe, computers, Ipads, Iphones, furniture
Sisters, 2022
archival ink jet print, frame
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Harvest, 2019
hay (detail)
Boulevard of Crime I, 2022 (detail)
lamp, shoes, tiles, shoe polish
The Middle Ages (exhibition view CAC, Vilnius 2018)
Self Serving, 2018
fibreglass, expanding foam
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper