simon dybbroe møller archive

Gaslighting, 2019
plastic, C-print, sticker
Young Cultural Producer, 2017
c-print
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
O and No, 2011
sports floor
ANIMATE V, 2012
video, sound (still)
Things and The Thoughts That Think Them, 2011
plexiglas, mixed materials
The Loudspeaker, 2018
loudspeaker, sound, groceries
ANIMATE V, 2012
video, sound (still)
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
&, exhibition poster, 2017
Untitled (How Does It Feel), 2014
video, sound, monitors
Cormorous, 2016
video, sound (still)
O and No, 2011
sports floor
Produce, 2011
printer, inkjet print
Shame Shield, 2015
ceramics, glaze
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics
The Middle Ages (exhibition view CAC 2018)
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Shame Shields, 2015
ceramics, glaze
GROWTH LOT NO. 3017331, Simon Dybbroe Møller and Nina Beier, 2013
plants from the headquarters of a bankrupt Bank, metal cylinder planters, grow lights,
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
Beer & Piss, 2012
c-prints
Beer & Piss, 2012
c-print
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
ANIMATE V, 2012
video, sound (still)
Shame Shield, 2015
ceramics, glaze
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound, forklift
Untitled, 2015
pipe and flute
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Young Cultural Producer, 2017
c-print
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Rump, 2013
Simon Dybbroe Møller Rump, 2013 beouf stroganoff photographed by Enrique Macias, C-Print
Young Cultural Producer, 2017
c-print
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Untitled (How does it feel), 2014
video, sound (still)
What Do People Do All Day, 2020
video, sound (still)
Marianne, 2013
c-prints, frame, wire
The Loudspeaker, 2012
video, sound
Bouquet, 2016
stroller, mixed materials
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
What Do People Do All Day, 2020
video, sound (still)
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
The Middle Ages (exhibition view CAC 2018)
The Middle Ages, exhibition view CAC Vilnius, 2018
The Drift, 2010
video, sound
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
20th Century Architecture, 2006
16 mm film, sound
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Cormorous, 2016
video, sound (still)
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
Ear, 2014
c-print
Untitled (How Does It Feel), 2014
video, sound, monitors
Negative Plates, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
No More Moore (exhibition view Kunstverein Hannover 2009)
Beer & Piss, 2012
c-print
Self Serving, 2018
glass fibre, expansion foam
The Embrace, 2015
c-print
Abstract For A House That is Not, 2010
felt carpet
0, 2011
inkjet print
Field Work, 2008
silkscreen print on wood
Shame Shields, 2015
ceramics, glaze
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Shame Shields, 2015
ceramics, glaze
Shame Shield, 2015
ceramics, glaze
0, 2011
inkjet print
0, 2011
inkjet print
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
Things and The Thoughts That Think Them, 2011
Plexiglas, mixed materials
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
Self Serving, 2018
fibreglass, expanding foam
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
ANIMATE V, 2012
video, sound (still)
Cormorous, 2016
video, sound (still)
Lettuce (exhibition view 21erHaus, 2015)
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
Young Cultural Producer, 2017
c-print
Cormorous, 2016
video, sound (still)
ANIMATE V, 2012
car, video, sound (still)
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
Shame Shields, 2015
ceramics, glaze
What Do People Do All Day, 2020
video, sound (still)
Shame Shields, 2015
ceramics, glaze
The Guitarist, 2018
c-print
FACADE, 2008
speakers, amp, (Installation View Museum Abteiberg)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
The Middle Ages (exhibition view CAC 2018)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Buongiorno Signor Courbet (exhibition view Francesca Minini 2015)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (detail)
Produce, 2011
printer, inkjet print
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Plain, 2010
video, sound
Pipe & Flute, 2015
pipe, flute
All Houses Are Haunted, performer, clothes, 2006
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Shame Shield, 2015
ceramics, glaze
Base, 2018
foam, motor, motor oil, flies (detail)
Marianne, 2013
c-prints, frame, wire
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
The Middle Ages, exhibition poster, 2018
Performance, 2006
bw slides, crushed glass, slide projector
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
Fieldwork, 2006
(install view Kunstverein Hannover)
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
The Navigator Monument
bronze
Young Cultural Producer Smoking a Cigarette, 2018
c-print
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
ANIMATE V, 2012
car, video, sound (still)
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Young Cultural Producer, 2017
c-print
The Plumber & The Cook, 2015
neon, metal
The Middle Ages (exhibition view CAC, Vilnius 2018)
Harvest, 2019
hay
Shame Shield, 2015
ceramics, glaze
Gaslighting, 2019
plastic, C-print, sticker
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
The Anachronism Trilogy, 2012-18 (poster)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Economy, 2008
book
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
Woman Driving, 2013
c-print, aluminum frame
The Middle Ages, exhibition poster, 2018
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
Young Cultural Producers, 2017
c-prints
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Performance, 2006
bw slides, crushed glass, slide projector
O and No, 2011
sports floor
Shame Shields, 2015
ceramics, glaze (detail)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
Gaslighting, 2019
plastic, C-print, sticker
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
ANIMATE V, 2012
video, sound (still)
Black, White an Gray (Cyan, Magenta and Yellow), 2006
inkjet on a4 papers, wallpaper glue
Performance, 2006
bw slides, crushed glass, slide projector
Young Cultural Producer, 2017
c-print
Young Cultural Producer, 2017
c-print
Field Work, 2008
bw photo print
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Harvest, 2019
hay (detail)
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
All Houses Are Haunted, 2006
architect double, costume (exhibition view NAK, Aachen)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
ANIMATE V, 2012
video, sound (still),
Shame Shield, 2015
ceramics, glaze
Waiting for Different Times, 2008
wood, enamel
The Roman Two, exhibition view Gallery Hyundai, Seoul, 2012
Base, 2018
foam, motor, motor oil, flies
Fieldwork, 2006
duotone offset print
Base, 2018
foam, motor, motor oil, flies (detail)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Field Work, 2008
silkscreen print on paper, maple frame
Shame Shields, 2015
ceramics, glaze
Untitled, 2020
sketch for public sculpture
The Embrace, 2015
c-print
The Plumber & The Cook, 2015
neon, metal
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
Abstract For A House That is Not, 2010
felt carpet
Produce, 2011
printer, inkjet print
Abstract For A House That is Not, 2010
felt carpet
The Navigator Monument, 2018
bronze
ANIMATE V, 2012
video, sound (still)
HARVEST, 2019
hay, drumkit
Aperture & Orifice, 2014
washed concrete, plastic bags
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
Bouquet, 2016
stroller, mixed materials
A Rock That Keeps Tigers Away (exhibition view Kunstverein München, 2017)
Untitled (How Does It Feel), 2014
video, sound, monitors
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Shame Shield, 2015
ceramics, glaze
Gaslighting, 2019
plastic, C-print, sticker
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif Antwerp)
Untitled (How does it feel), 2014
video, sound (still)
Self Serving, 2018
fibreglass, expanding foam
Untitled, 2021
flutes & pipes
Fieldwork, 2006
silkscreen print
The Loudspeaker, 2012
video, sound
Dirt, 2019
video
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Field Work, 2008
digital c-print, metal frame
Lettuce (exhibition view 21erHaus, 2015)
the dockworker, Constantin Emile Meunier, 1885
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Woman Driving, 2013
c-print, aluminum frame
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
What Do People Do All Day, 2020
video, sound (still)
Harvest, 2019
hay
No More Moore (exhibition view Kunstverein Hannover 2009)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
The Middle Ages (exhibition view CAC, Vilnius 2018)
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Gaslighting, 2019
plastic, C-print, sticker
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
Shank, 2013
beef and ale stew photographed by Andrea Rossetti, C-Print, aluminum frame
Field Work, 2008
lithograph
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
Base, 2018
foam, motor, motor oil, flies (detail)
Abstract For A House That is Not, 2010
felt carpet
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Beer & Piss, 2012
c-print
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
Field Work, 2008
bw photo print, passepartout, metal frame
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper