simon dybbroe møller archive

Shame Shields, 2015
ceramics, glaze
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Beer & Piss, 2012
c-print
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
The Plain, 2010
video, sound
The Middle Ages (exhibition view CAC 2018)
Lettuce (exhibition view 21erHaus, 2015)
the dockworker, Constantin Emile Meunier, 1885
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound, forklift
Fieldwork, 2006
silkscreen print
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
Marianne, 2013
c-prints, frame, wire
Cormorous, 2016
video, sound (still)
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Shame Shield, 2015
ceramics, glaze
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
Performance, 2006
bw slides, crushed glass, slide projector
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
The Drift, 2010
video, sound
Young Cultural Producers, 2017
c-prints
Bouquet, 2016
stroller, mixed materials
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
ANIMATE V, 2012
car, video, sound (still)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
The Loudspeaker, 2018
loudspeaker, sound, groceries
Field Work, 2008
bw photo print, passepartout, metal frame
Performance, 2006
bw slides, crushed glass, slide projector
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
Cormorous, 2016
video, sound (still)
Cormorous, 2016
video, sound (still)
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
Fieldwork, 2006
duotone offset print
Untitled (How Does It Feel), 2014
video, sound, monitors
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
The Plumber & The Cook, 2015
neon, metal
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
Rump, 2013
Simon Dybbroe Møller Rump, 2013 beouf stroganoff photographed by Enrique Macias, C-Print
ANIMATE V, 2012
video, sound (still)
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
All Houses Are Haunted, performer, clothes, 2006
Waiting for Different Times, 2008
wood, enamel
What Do People Do All Day, 2020
video, sound (still)
Shame Shields, 2015
ceramics, glaze
O and No, 2011
sports floor
The Middle Ages, exhibition poster, 2018
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
ANIMATE V, 2012
video, sound (still)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif Antwerp)
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
Produce, 2011
printer, inkjet print
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Shame Shields, 2015
ceramics, glaze
Untitled (How does it feel), 2014
video, sound (still)
Untitled, 2015
pipe and flute
HARVEST, 2019
hay, drumkit
Beer & Piss, 2012
c-print
20th Century Architecture, 2006
16 mm film, sound
0, 2011
inkjet print
Abstract For A House That is Not, 2010
felt carpet
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (detail)
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Young Cultural Producer, 2017
c-print
Untitled, 2021
flutes & pipes
Young Cultural Producer, 2017
c-print
The Middle Ages (exhibition view CAC, Vilnius 2018)
Field Work, 2008
bw photo print
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Things and The Thoughts That Think Them, 2011
plexiglas, mixed materials
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
Young Cultural Producer, 2017
c-print
Fieldwork, 2006
(install view Kunstverein Hannover)
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Field Work, 2008
silkscreen print on wood
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
Bouquet, 2016
stroller, mixed materials
Norman Mailer Paradox VI, 2012
rope, plastic, cement (install view The Wattiss)
Buongiorno Signor Courbet (exhibition view Francesca Minini 2015)
Cormorous, 2016
video, sound (still)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
ANIMATE V, 2012
car, video, sound (still)
Base, 2018
foam, motor, motor oil, flies (detail)
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper, mussel shells
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Untitled, 2020
sketch for public sculpture
Shame Shield, 2015
ceramics, glaze
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Gaslighting, 2019
plastic, C-print, sticker
Shame Shield, 2015
ceramics, glaze
Young Cultural Producer Smoking a Cigarette, 2018
c-print
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
What Do People Do All Day, 2020
video, sound (still)
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
ANIMATE V, 2012
video, sound (still)
Beer & Piss, 2012
c-prints
Pipe & Flute, 2015
pipe, flute
Shame Shields, 2015
ceramics, glaze (detail)
Young Cultural Producer, 2017
c-print
Beer & Piss, 2012
c-print
Self Serving, 2018
fibreglass, expanding foam
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Shame Shields, 2015
ceramics, glaze
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
This Is Shadows, 2010
16 mm film, sound, 16 mm projector, looper, flatscreen TV, DVD player, metal stand
Things and The Thoughts That Think Them, 2011
Plexiglas, mixed materials
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Field Work, 2008
silkscreen print on paper, maple frame
The Embrace, 2015
c-print
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Marianne, 2013
c-prints, frame, wire
0, 2011
inkjet print
Economy, 2008
book
The Norman Mailer Paradox V, 2012
plastic horse, vending machine, rope (detail)
The Loudspeaker, 2012
video, sound
The Middle Ages, exhibition view CAC Vilnius, 2018
Young Cultural Producer, 2017
c-print
The Roman Two, exhibition view Gallery Hyundai, Seoul, 2012
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Aperture & Orifice, 2014
washed concrete, plastic bags
The Embrace, 2015
c-print
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
Field Work, 2008
lithograph
What Do People Do All Day, 2020
video, sound (still)
The Norman Mailer Paradox I, 2010
volley balls, ball nets, copying machine, hemp rope
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
All Houses Are Haunted, 2006
architect double, costume (exhibition view NAK, Aachen)
Performance, 2006
bw slides, crushed glass, slide projector
State Of Mind (a permanent sculpture), 2006
steel, concrete, water, foil, pumps, tubes
ANIMATE V, 2012
video, sound (still)
Shame Shield, 2015
ceramics, glaze
Untitled (How Does It Feel), 2014
video, sound, monitors
Harvest, 2019
hay
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (exhibition view Objectif, Antwerp)
Black, White an Gray (Cyan, Magenta and Yellow), 2006
inkjet on a4 papers, wallpaper glue
Shoulder, 2013
labskaus photographed by Nick Ash, c-print, framed
Männer & Moral (exhibition view Objectif Exhibitions, 2013)
The Guitarist, 2018
c-print
GROWTH LOT NO. 3017331, Simon Dybbroe Møller and Nina Beier, 2013
plants from the headquarters of a bankrupt Bank, metal cylinder planters, grow lights,
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Untitled (How does it feel), 2014
video, sound (still)
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Sporting, 2013
spray concrete, mannequins, sports equipment, wool
O and No, 2011
sports floor
The Middle Ages (exhibition view CAC 2018)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
The Industrial Revolution, Simon Dybbroe Møller & Nina Beier, 2013
bronze, plaster, polyester resin, acrylic
Self Serving, 2018
fibreglass, expanding foam
Lettuce (exhibition view 21erHaus, 2015)
Shame Shield, 2015
ceramics, glaze
Abstract For A House That is Not, 2010
felt carpet
Untitled (How Does It Feel), 2014
video, sound, monitors
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
Harvest, 2019
hay
ANIMATE V, 2012
video, sound (still),
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Abstract For A House That is Not, 2010
felt carpet
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Shame Shields, 2015
ceramics, glaze
Shank, 2013
beef and ale stew photographed by Andrea Rossetti, C-Print, aluminum frame
Gaslighting, 2019
plastic, C-print, sticker
Exposure, 2015
c-print (portrait of Alex Mackin Dolan), frame, bricks
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Base, 2018
foam, motor, motor oil, flies
FACADE, 2008
speakers, amp, (Installation View Museum Abteiberg)
Gaslighting, 2019
plastic, C-print, sticker
Maison de Regret, 2018
window, wood, leaves, photo wrappings, money notes
Field Work, 2008
digital c-print, metal frame
What Do People Do All Day, 2020
video, sound (still)
Ensemble Cast, 2013
cabbage, work uniforms, tools, plinths (DREI, Cologne)
Diamond Mouth & The Stuff Of The Other Side, 2012
car dealer's sign, t-shirt, oil, dirt
Harvest, 2019
hay (detail)
Young Cultural Producer, 2017
c-print
Negative Plate, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Woman Driving, 2013
c-print, aluminum frame
Produce, 2011
printer, inkjet print
Produce, 2011
printer, inkjet print
The Middle Ages, exhibition poster, 2018
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
The Plumber & The Cook, 2015
neon, metal
Gaslighting, 2019
plastic, C-print, sticker
O and No, 2011
sports floor
The Loudspeaker, 2012
video, sound
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
The Navigator Monument, 2018
bronze
Woman Driving, 2013
c-print, aluminum frame
Video, 2020
Standing nude from the first half of the 20th century (Hermann Haller, Tänzer,1945) plastic bag, magnetic tape
0, 2011
inkjet print
Young Cultural Producer, 2017
c-print
Gaslighting, 2019
plastic, C-print, sticker
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker (detail)
ANIMATE V, 2012
video, sound (still)
Negative Plate, 2013
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs, pepper
Sporting, 2013
spray concrete, mannequin, sports equipment, wool
A Rock That Keeps Tigers Away (exhibition view Kunstverein München, 2017)
Self Serving, 2018
glass fibre, expansion foam
Shame Shields, 2015
ceramics, glaze
The Anachronism Trilogy, 2012-18 (poster)
Shame Shield, 2015
ceramics, glaze
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics
No More Moore (exhibition view Kunstverein Hannover 2009)
Homo Slomo, 2018
mechanical mannequin, acrylics, hair, plaster, marker
The Poet or Why Can't You Trust Atoms? They Make Up Everything, 2018
video, sound (still)
Dirt, 2019
video
Base, 2018
foam, motor, motor oil, flies (detail)
Lettuce, 2015
wood, steel, sink, faucet, resin, silicone, acrylics (detail)
Base, 2018
foam, motor, motor oil, flies (detail)
Ear, 2014
c-print
&, exhibition poster, 2017
Negative Plates, 2014
china plates, polyester resin, polyurethane lacquer, silicone, dried herbs
The Middle Ages (exhibition view CAC, Vilnius 2018)
χωρίς τίτλο, 2014
acrylics on plaster, fake leather, lacquer on metal
Shame Shield, 2015
ceramics, glaze
What Do People Do All Day, 2020
video, sound, monitor, medical skeleton models, popcorn, cast of the Belvedere Torso
Abstract For A House That is Not, 2010
felt carpet
ANIMATE V, 2012
video, sound (still)
The Middle Ages (exhibition view CAC 2018)
No More Moore (exhibition view Kunstverein Hannover 2009)
The Navigator Monument
bronze
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